
The fast-drying nature of acrylic paints brings an entirely different kind of energy to my practice. They provide immediate results and encourage a spontaneous, expressive approach that keeps the process fresh and dynamic.


What I love most about acrylics is their incredible versatility. They can be used on canvas, paper, or wood — opening endless creative possibilities for experimentation. Over the years, I’ve come to appreciate many of their qualities:
The combination of acrylics and texture paste allows for a dynamic interplay between colour, texture, and form — giving the artwork a unique, tactile quality. It’s a medium that rewards curiosity, experimentation, and the courage to explore new directions.











In August I am exhibiting my work in four group exhibitions across Sydney and one in Brisbane! If you're need to recharge your creative batteries this month, I'd love for you to visit one (or more!) of these exhibitions. Admissions are free. Throughout the month, you’ll be able to see my paintings in: Freedom and Sustainability 3–20 August 2026 The Gallery Ramp Space St Ives Village 166 Mona Vale Road, St Ives NSW 2075 The Winter Edit

Knowing your tools deeply — how they behave, how they age, how they respond to light and heat — changes the way you work and the confidence with which you make decisions. During my time at Azur Studio in Kyiv, we took part in a number of art trips across Europe, visiting paint and medium manufacturers directly. These experiences were invaluable. Being able to ask questions about materials from the people who created them — the chemists, designers, and technicians behind the products — gave us insights no manual or catalogue ever could. Who could know the materials better than those who developed them? Along the way, we also participated in workshops with local designers who introduced us to the full potential of different gels and pastes, transparent and opaque paints, and specialised products for textile decoration and pseudo stained glass. We explored techniques for creating patina, working with gilding, and layering surfaces in ways that expanded both technical knowledge and creative possibility. I often find myself missing those times — being surrounded by like-minded professionals, travelling, learning, experimenting, and talking endlessly about what we loved most: paint, surface, and decoration. Those journeys shaped not only my technical approach, but also my respect for materials as active partners in the creative process.