April 2026 I hosted two intimate painting workshops, each with its own seasonal story.
The second one was inspired by European Easter traditions, light-filled spring mornings, and daffodils as their purest embodiment of renewal.
✨ Easter Light & Daffodils Workshop ✨
A hands-on painting workshop held alongside my solo exhibition at Art Space Gallery.
We’ll work with simple sculptural techniques using impasto medium and acrylic paint, exploring how light gently settles on form — creating luminous highlights, soft shadows, and a subtle relief surface.
This workshop is about slowing down, creating with intention, and building an Easter mood with your own hands.
Calm, welcoming, and designed for all skill levels.
Art Space Gallery – The Concourse
Impasto medium & acrylic on board
All materials supplied
Suitable for adults — no prior experience needed
Suitable for children 12+
Limited to just 10 participants — bookings essential
During the Rooted in Nature exhibition, I ran two small, intimate workshops focused on observing nature through different lenses. The first workshop explored trees from a distance — their shapes, rhythm, and presence in the landscape. The second shifted to a close-up study of eucalypt blooms, celebrating detail, texture, and colour. Working with texture paste and acrylic, we built layered, expressive surfaces full of energy. I keep my groups small to allow for a more personal approach, and although everyone followed the same process, each artwork turned out completely different. There is something truly magical about creating inside an exhibition space. Being surrounded by artworks and artists in the act of making seems to boost creativity and confidence — the energy is contagious. Both groups did an incredible job, and I’m genuinely proud of the results and the courage they brought to their work.
Every so often, a commission opens the door to an entirely new way of thinking. One such moment came when a client asked for something unexpected — a lightweight, sculptural object in the form of puppets. Creating puppets became an unusual and exciting way for me to explore my creativity. They sit somewhere between sculpture, design, and storytelling. Unlike painting, where the surface holds the narrative, puppets demand attention to volume, balance, texture, and movement. Even at rest, they suggest gesture, character, and presence. Working on these pieces allowed me to think beyond the wall and the frame, translating artistic ideas into tactile, three-dimensional forms. Each puppet became a small character — playful, expressive, and full of personality. This unexpected direction reminded me how important it is to stay open as an artist. New materials, new formats, and new requests can lead to discoveries that expand both practice and imagination — sometimes in the most surprising ways.
