Spring Gives Us Hope was a fundraising exhibition by True Blue & a Little Bit of Yellow, held at Mona Vale Pop-Up Gallery on Sydney’s Northern Beaches from 17–28 October 2022. Unstoppable in our commitment, we continued to paint, exhibit, and raise funds to support those in need, using art as a way to respond, connect, and help.
The exhibition was filled with colour and optimism — flowers, birds, and vibrant palettes came together to reflect renewal, resilience, and the emotional lift that spring brings. It was an uplifting visual response during a difficult time, offering light and hope through art.
We are deeply grateful to everyone who visited, supported the exhibition, and purchased artworks. Your generosity made a real difference. Knowing that, once again, art could help support the people of Ukraine is something that continues to warm our hearts.
We’re very grateful to be featured in the latest issue of Art & Style Magazine, which includes a thoughtful article about True Blue & a Little Bit of Yellow artist collective. The feature explores how our art supports ongoing fundraising efforts, highlights the unexpected connections between Ukraine and Australia, and introduces each artist’s individual style and approach. It’s a generous and well-considered look at our shared work and values. A huge thank you to Doug Clark for the wonderful write-up, and sincere thanks to Wayne at Northern Beaches Gallery for his continued support. This issue is filled with remarkable talent, and we’re honoured to be included among it.
My Master of Design (Hon.) at COFA, UNSW focused on one question: How can we improve children’s engagement with printed materials to support better learning outcomes? My research shows that the more areas of the brain engaged in processing information, the stronger the memorisation and recall. I explored how to activate as many of these pathways as possible — story for narrative memory, colour for emotional response, sound and action for sensory cues, spatial awareness for orientation, and visual coding for recognition. In short: designing visuals that teach, entertain, and stay in a child’s memory. But my journey with children’s design began long before my Master’s. Over the years, I’ve illustrated several children’s books and created my own comic book about the adventures of a Ukrainian boy in Australia — writing 20 stories and drawing all of the comic illustrations myself. These projects shaped my understanding of how we see, learn, and connect with visual narratives — a foundation that continues to guide my work today.
