
In 2011, while completing my Master’s degree at UNSW COFA, I joined a student artist group called All For You (AFY). The group brings together artists who were studying at or had graduated from the College of Fine Arts, University of New South Wales.


Founded by artist Chi Da Kim, AFY included 32 members representing more than 20 countries, creating a diverse and international creative environment.
That year, the group held two exhibitions in Sydney. The first, All For You, took place at Global Gallery in Surry Hills in July 2011. The second exhibition, Transcendency, was held at the Arthouse Hotel in Sydney CBD.
These exhibitions marked an important stage in my early exhibition practice in Australia and my engagement with the local contemporary art community.











1 April 2026
A big well done to everyone who joined the Autumn in Textures & Colours workshop 🍂 It was such a wonderful creative session to share together. If you missed this one — let me know, I’m already planning the next workshop!

Books have always felt magical to me. Unlike social media, they don’t disappear into a feed — they stay in your hands, on your shelf, and in your life. A book captures what’s important and preserves it for generations. And to make that experience meaningful, every detail matters. Over the years, I’ve worked on many publications — sometimes creating the layout, other times designing covers, illustrations, or managing the entire visual direction. One of my favourite projects was Taste of Ukraine, published by the Australian Publishing Company (sovabooks.com.au). I created the cover illustrations and the full layout — and the book went on to win the 2013 Gourmand World Cookbook Award. I’ve also worked with community organisations, including Ukrainians Down Under for AFUO, where I served as both editor and designer for their catalogue. Four Jubilee Book for Intersession of Holy Virgin Parish is one of the thickest and most comprehensive publication I’ve worked on to date. Each book is its own world — structured, tactile, permanent. And I love shaping those worlds so they’re clear, beautiful, and built to last.