
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression.


My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language.
Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression.
Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.











Art & Style magazine has featured a page about my exhibition, Echoes of the Bush. I can’t express how grateful I am to everyone who has supported my journey. Thank you, Wayne. Thank you, Northern Beaches Gallery. Thank you to the Art & Style magazine team. Thank you, Danielle and Doug. The magazine is filled with incredible artists and inspiring stories, so it’s a true honour to be included among them. Thank you all for believing in my art.

During the Rooted in Nature exhibition, I ran two small, intimate workshops focused on observing nature through different lenses. The first workshop explored trees from a distance — their shapes, rhythm, and presence in the landscape. The second shifted to a close-up study of eucalypt blooms, celebrating detail, texture, and colour. Working with texture paste and acrylic, we built layered, expressive surfaces full of energy. I keep my groups small to allow for a more personal approach, and although everyone followed the same process, each artwork turned out completely different. There is something truly magical about creating inside an exhibition space. Being surrounded by artworks and artists in the act of making seems to boost creativity and confidence — the energy is contagious. Both groups did an incredible job, and I’m genuinely proud of the results and the courage they brought to their work.