
Every so often, a commission opens the door to an entirely new way of thinking. One such moment came when a client asked for something unexpected — a lightweight, sculptural object in the form of puppets.


Creating puppets became an unusual and exciting way for me to explore my creativity. They sit somewhere between sculpture, design, and storytelling. Unlike painting, where the surface holds the narrative, puppets demand attention to volume, balance, texture, and movement. Even at rest, they suggest gesture, character, and presence.
Working on these pieces allowed me to think beyond the wall and the frame, translating artistic ideas into tactile, three-dimensional forms. Each puppet became a small character — playful, expressive, and full of personality.
This unexpected direction reminded me how important it is to stay open as an artist. New materials, new formats, and new requests can lead to discoveries that expand both practice and imagination — sometimes in the most surprising ways.















1 April 2026
My solo exhibition Echoes of the Bush was held at Art Space Gallery, The Concourse in Chatswood. It grew from a deep admiration for Australian nature and a close, ongoing observation of my surroundings. The result was a series of tree portraits and studies of bush textures — works that sit somewhere between painting and sculpture, and are truly meant to be experienced in person. Over 12 days, the exhibition unfolded into something far richer than I could have anticipated. The opening night set the tone — with a thoughtful address by Alan Davies and a moving performance by soprano and bandura player Larissa Kovalchuk. It was a beautiful beginning, and one that stayed with me throughout the exhibition. Across the two weeks, the gallery became a place of connection. We held two fully booked workshops, shared hundreds of conversations, and welcomed a steady flow of visitors — 1,146 people in total. Each interaction, each question, each moment of curiosity added something meaningful to the experience. It was also a great honour to welcome the Mayor of Willoughby, Tanya Taylor, and to feel the genuine support of the Willoughby Council team throughout the entire process. Their encouragement made a real difference. The exhibition has now come to a close — 12 intense and incredibly rewarding days. I’m deeply grateful to everyone who visited, who spent time with the work, and who shared their thoughts and impressions. It truly takes just one kind word to shape someone’s experience, and I felt that kindness every day. A special thank you to those who chose to take a piece of this exhibition home. It means a great deal to know that the works will continue their life in your spaces.

True Blue & a Little Bit of Yellow, in collaboration with CBD Gallery, presented a fundraising exhibition in the heart of Sydney titled A Love Letter to the Ocean. Created by five artists of Ukrainian heritage, the exhibition was dedicated to the water element and to a shared love of the ocean. Working across different styles and mediums — from ancient techniques and classicism to impressionism, divisionism, and fine art photography — the artists invited viewers to dive into blue, touched gently with yellow. We extend our sincere gratitude to Xiaoxiao Zhang for her invaluable support in providing CBD Gallery as the venue for this fundraiser, and for her continued support of Ukraine. The exhibition was held at CBD Gallery, Sydney, from 6–19 October 2023