Every so often, a commission opens the door to an entirely new way of thinking. One such moment came when a client asked for something unexpected — a lightweight, sculptural object in the form of puppets.
Creating puppets became an unusual and exciting way for me to explore my creativity. They sit somewhere between sculpture, design, and storytelling. Unlike painting, where the surface holds the narrative, puppets demand attention to volume, balance, texture, and movement. Even at rest, they suggest gesture, character, and presence.
Working on these pieces allowed me to think beyond the wall and the frame, translating artistic ideas into tactile, three-dimensional forms. Each puppet became a small character — playful, expressive, and full of personality.
This unexpected direction reminded me how important it is to stay open as an artist. New materials, new formats, and new requests can lead to discoveries that expand both practice and imagination — sometimes in the most surprising ways.
In 2011, while completing my Master’s degree at UNSW COFA, I joined a student artist group called All For You (AFY). The group brings together artists who were studying at or had graduated from the College of Fine Arts, University of New South Wales. Founded by artist Chi Da Kim, AFY included 32 members representing more than 20 countries, creating a diverse and international creative environment. That year, the group held two exhibitions in Sydney. The first, All For You, took place at Global Gallery in Surry Hills in July 2011. The second exhibition, Transcendency, was held at the Arthouse Hotel in Sydney CBD. These exhibitions marked an important stage in my early exhibition practice in Australia and my engagement with the local contemporary art community.
A huge thank you to everyone who joined the workshop! I’m so proud of the beautiful creations you brought to life and all that you achieved with your creativity. A special shoutout to Sandy Bake Shop for hosting us in such a lovely space — your warm and welcoming environment made the day even more enjoyable. And of course, thank you to Nataliya Bake For Ukraine for the delicious sweet treats — you added that extra touch of magic to our day! It was such a joy to share this creative experience with you all. I can’t wait for the next one!
My Master of Design (Hon.) at COFA, UNSW focused on one question: How can we improve children’s engagement with printed materials to support better learning outcomes? My research shows that the more areas of the brain engaged in processing information, the stronger the memorisation and recall. I explored how to activate as many of these pathways as possible — story for narrative memory, colour for emotional response, sound and action for sensory cues, spatial awareness for orientation, and visual coding for recognition. In short: designing visuals that teach, entertain, and stay in a child’s memory. But my journey with children’s design began long before my Master’s. Over the years, I’ve illustrated several children’s books and created my own comic book about the adventures of a Ukrainian boy in Australia — writing 20 stories and drawing all of the comic illustrations myself. These projects shaped my understanding of how we see, learn, and connect with visual narratives — a foundation that continues to guide my work today.
