
23 July 2026 — PALANGI GALLERY 59 Flinders Street Surry Hills NSW 2010
I am participating in Nature of Australia, a group exhibition at Palangi Gallery celebrating the beauty and diversity of the Australian landscape through the eyes of women artists from a wide range of cultural backgrounds.


Although each artist brings a unique perspective and artistic style, we are united by a shared appreciation for Australia's remarkable natural environment. Through different mediums, the exhibition reflects our personal connections to the land, its native flora, and the places that inspire us.
I will contribute with artworks from my bush and ocean series. It is a great pleasure to exhibit alongside such a talented group of artists and to contribute to this celebration of nature.
Nature of Australia
23 July – 6 August 2026
Palangi Gallery
59 Flinders Street, Surry Hills, NSW
Opening Night
Thursday, 23 July
6:00 – 8:00 pm
If you're in Sydney, I would be delighted to see you at the opening night. It will be a wonderful opportunity to experience a diverse collection of artworks inspired by Australia's unique landscapes and native flora, meet the artists, and celebrate our shared love of nature.
See more here: https://gallery.palangi.com.au/exhibition/nature-of-australia/

Ukraine: Secrets of Resilience was an exhibition by True Blue & a Little Bit of Yellow, presented at Sydney Town Hall to mark one year since the start of the full-scale Russian invasion of Ukraine. I wanted to find a way to help people in Australia understand what war is — not in abstract terms, but through human experience. That idea became Secrets of Resilience. I went through a year of devastating news and personal testimonies, selecting stories that resonated most deeply and spoke about survival, loss, strength, and endurance. From these stories, I created a series of posters combining documentary photographs, written accounts, and artworks — my own and those of fellow artists — alongside real objects carrying personal and symbolic meaning. Each element was chosen carefully, so the exhibition could be read, felt, and experienced rather than simply viewed. Working through so much human pain was emotionally demanding. Revisiting these stories left a lasting mark, but I believe the process was necessary. The exhibition allowed many visitors to imagine themselves in a place of conflict and offered a glimpse into how people continue to live, endure, and remain human under unimaginable circumstances. It was not an easy exhibition — but it was an important one.

Before moving to Australia, I spent five formative years working at Edipresse Ukraine, an international publishing house. I began as a designer and illustrator and later took on the role of chief editor, alongside working as a photographer and illustrator. This period played a significant role in shaping my approach to clarity, storytelling, and creating strong, high-quality visual narratives. Between 2004 and 2009, I worked across a wide range of publications and roles: 2006–2009 — Chief Editor, Photographer, Designer & Illustrator, Fun Ideas (children’s craft magazine) 2006 — Designer & Illustrator, English Teen Club (English-learning magazine for teenagers) 2004–2008 — Illustrator, Horoscope (women’s magazine) 2005 — Designer, Marketing Department