
Art & Style magazine has featured a page about my exhibition, Echoes of the Bush.
I can’t express how grateful I am to everyone who has supported my journey.
Thank you, Wayne. Thank you, Northern Beaches Gallery. Thank you to the Art & Style magazine team. Thank you, Danielle and Doug.
The magazine is filled with incredible artists and inspiring stories, so it’s a true honour to be included among them.
Thank you all for believing in my art.



Being part of the Heartlands multimedia performance at Cell Block Theatre, Sydney, was a true privilege and an honour. It was a project driven by an incredibly motivated and generous team — a real dream team — and the result was powerful. A person, who came up with the idea of this unique event never held in Sydney before, creative director and producer of Heartlands – Linda Gough. For this performance, I created the artwork of a golden wheat field rising from black soil. Ukraine is often called the breadbasket of Europe, and its fertile land has long nourished not only grain, but literature, music, and cultural memory. This image became the visual heart of the event, reflecting both abundance and endurance. Heartlands offered audiences a deep experience of Ukrainian culture through poetry, music, storytelling, food, and shared presence. To my knowledge, it was the most substantial Ukrainian literary performance ever staged in the Southern Hemisphere, and I am proud to have supported it. My role extended across the full visual identity of the event. I created the key artwork used throughout all materials, designed print collateral including posters, programmes, and food signage, developed digital assets for multiple platforms, and contributed to stage design. During the performance, my artwork formed the visual backdrop on the large screen behind the performers, shaping the atmosphere of the evening.

Over the past months, I’ve been honoured to be selected as a finalist in several exhibitions across Australia. Being part of the evolving art mosaic in Sydney and beyond is something I truly value. In October, my work was shown at Gallery 11:11, followed by Bridges to Belonging in Adelaide in November — an exhibition that explored connection, identity, and shared stories. December brought another exciting milestone: I was delighted to be a finalist in the 40 by 40 Exhibition at Newcastle Art Space 🎉 This exhibition celebrates over forty years of a vibrant creative community and showcases artworks measuring 40 × 40 cm — a reminder that great art can come in small packages. The exhibition ran in early December 2025. Also in December, I was selected to participate in The Summer Prize Exhibition at Northern Beaches Gallery, an exhibition absolutely worth visiting with many outstanding works on display. Among them was my painting Jingymia mallee — Eucalyptus synandra, shown in late December. Another memorable moment from this period was seeing one of my artworks sold at auction directly from the concert stage — a powerful reminder of how art can live and breathe beyond gallery walls. Currently, my work Nocturne for Large-Fruited Mallee is on display at: