
10 July 2026 — & Something Else Gallery 1 /8 Belgrave st, Manly 2095
I am delighted to share that two of my artworks have been selected for The Language of Flowers, a curated group exhibition at & Something Else, a new contemporary gallery in the heart of Manly on Sydney's Northern Beaches.


I am grateful for the opportunity to exhibit alongside a talented group of Australian artists.
The Language of Flowers celebrates the beauty and symbolism of flowers, inviting to explore the relationship between humanity and the natural world through botanical forms. The exhibition brings together diverse artistic approaches inspired by growth, renewal, transformation, and the fleeting beauty of flowering life. As an artist, nature has always been at the heart of my practice. I am excited to contribute to this conversation through my selected works.
See more here: https://www.andsomethingelse.com.au/language-of-flowers
The Language of Flowers
Exhibition Dates:
10 July – 2 August 2026
Venue:
& Something Else Gallery
Manly, Sydney's Northern Beaches
Email: hello@andsomethingelse.com.au
Phone: 0429 617 236
Gallery Hours: Tuesday - Sunday 10am - 5pm
Address:1 /8 Belgrave st, Manly 2095
Opening Night
Friday 10th July 6pm
I am looking forward to sharing my work with visitors, meeting fellow artists, and becoming part of the vibrant creative community that & Something Else is building in Manly.
If you're in Sydney over the coming weeks, I would love for you to visit the exhibition and experience this beautiful celebration of flowers, nature, and contemporary Australian art.











One question keeps coming up: what’s next? I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall. The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form. If you’d like to see it in person, here are the exhibition details: Buyers’ Preview Thursday 21 May 2026, 7pm – 8pm Canapés and drinks available Opening Night Friday 22 May 2026, 6pm – 8pm Canapés and drinks available

From time to time, someone commissions a portrait not simply as an artwork, but as a way to preserve a presence — a face, a character, a moment in life meant to last beyond the present. Portraits hold a unique place in art because they are created with the future in mind, becoming part of a family’s visual history. When I work on a portrait, my focus goes beyond likeness. I look for what makes a person recognisable to those who love them — a certain expression, a posture, a quiet strength or warmth that speaks of who they are. These details are often subtle, but they are what transform a portrait into something deeply personal. Commissioned portraits are often created to mark important moments: a milestone, a legacy, or a tribute. Over time, they become witnesses to family stories, passed from one generation to the next, carrying memory, identity, and connection. For me, creating a portrait is a shared process built on trust and attentiveness. It is about honouring the individual and creating a work that will continue to speak long after the sitting has ended — a lasting memory, held in paint.