1 April 2026 — Art Space Gallery - The Concourse, 409 Victoria Avenue, Chatswood, 2067
My solo exhibition Echoes of the Bush was held at Art Space Gallery, The Concourse in Chatswood. It grew from a deep admiration for Australian nature and a close, ongoing observation of my surroundings. The result was a series of tree portraits and studies of bush textures — works that sit somewhere between painting and sculpture, and are truly meant to be experienced in person.
Over 12 days, the exhibition unfolded into something far richer than I could have anticipated. The opening night set the tone — with a thoughtful address by Alan Davies and a moving performance by soprano and bandura player Larissa Kovalchuk. It was a beautiful beginning, and one that stayed with me throughout the exhibition.
Across the two weeks, the gallery became a place of connection. We held two fully booked workshops, shared hundreds of conversations, and welcomed a steady flow of visitors — 1,146 people in total. Each interaction, each question, each moment of curiosity added something meaningful to the experience.
It was also a great honour to welcome the Mayor of Willoughby, Tanya Taylor, and to feel the genuine support of the Willoughby Council team throughout the entire process. Their encouragement made a real difference.
The exhibition has now come to a close — 12 intense and incredibly rewarding days. I’m deeply grateful to everyone who visited, who spent time with the work, and who shared their thoughts and impressions. It truly takes just one kind word to shape someone’s experience, and I felt that kindness every day.
A special thank you to those who chose to take a piece of this exhibition home. It means a great deal to know that the works will continue their life in your spaces.
Thank you to everyone who dropped in and brought such warmth and encouragement.
I would be delighted to see you again at future workshops and exhibitions.
In this video, I share my artistic journey
Pseudo stained glass is a refined decorative art technique that transforms doors, windows, and interior objects into luminous design features. Created with special transparent paints, this approach allows light to pass through the surface, filling the room with colour and creating a soft, fairytale-like atmosphere within the interior. When daylight moves through the painted surface, the colours come alive, subtly shifting throughout the day and enhancing the emotional quality of the space. One of the key advantages of pseudo stained glass is its ability to match and enhance the existing interior style. From soft, minimal colour schemes to more expressive, ornamental designs, each piece is created in dialogue with the architecture, materials, and colour palette of the room. The artwork becomes an integrated part of the interior rather than a separate decorative element. Pseudo stained glass works beautifully as an accent feature or as a focal point, adding depth, warmth, and a sense of wonder. It is particularly effective in spaces where natural light plays an important role, turning everyday architectural elements into sources of colour and atmosphere.
One question keeps coming up: what’s next? I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall. The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form. If you’d like to see it in person, here are the exhibition details: Buyers’ Preview Thursday 21 May 2026, 7pm – 8pm Canapés and drinks available Opening Night Friday 22 May 2026, 6pm – 8pm Canapés and drinks available
