One question keeps coming up: what’s next?
I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall.
The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form.
If you’d like to see it in person, here are the exhibition details:
Buyers’ Preview
Thursday 21 May 2026, 7pm – 8pm
Canapés and drinks available
Opening Night
Friday 22 May 2026, 6pm – 8pm
Canapés and drinks available
General Exhibition
Saturday 23 May – Sunday 31 May 2026
10am – 4pm daily
Location
Hunters Hill Town Hall
22 Alexandra Street
Hunters Hill NSW 2110
Tickets will be available online closer to the date trough Hunters Hill website.
I hope to see you there.
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.
Before moving to Australia, I spent five formative years working at Edipresse Ukraine, an international publishing house. I began as a designer and illustrator and later took on the role of chief editor, alongside working as a photographer and illustrator. This period played a significant role in shaping my approach to clarity, storytelling, and creating strong, high-quality visual narratives. Between 2004 and 2009, I worked across a wide range of publications and roles: 2006–2009 — Chief Editor, Photographer, Designer & Illustrator, Fun Ideas (children’s craft magazine) 2006 — Designer & Illustrator, English Teen Club (English-learning magazine for teenagers) 2004–2008 — Illustrator, Horoscope (women’s magazine) 2005 — Designer, Marketing Department
