
One question keeps coming up: what’s next?
I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall.
The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form.
If you’d like to see it in person, here are the exhibition details:
Buyers’ Preview
Thursday 21 May 2026, 7pm – 8pm
Canapés and drinks available
Opening Night
Friday 22 May 2026, 6pm – 8pm
Canapés and drinks available
General Exhibition
Saturday 23 May – Sunday 31 May 2026
10am – 4pm daily
Location
Hunters Hill Town Hall
22 Alexandra Street
Hunters Hill NSW 2110
Tickets will be available online closer to the date trough Hunters Hill website.
I hope to see you there.

Pseudo stained glass is a refined decorative art technique that transforms doors, windows, and interior objects into luminous design features. Created with special transparent paints, this approach allows light to pass through the surface, filling the room with colour and creating a soft, fairytale-like atmosphere within the interior. When daylight moves through the painted surface, the colours come alive, subtly shifting throughout the day and enhancing the emotional quality of the space. One of the key advantages of pseudo stained glass is its ability to match and enhance the existing interior style. From soft, minimal colour schemes to more expressive, ornamental designs, each piece is created in dialogue with the architecture, materials, and colour palette of the room. The artwork becomes an integrated part of the interior rather than a separate decorative element. Pseudo stained glass works beautifully as an accent feature or as a focal point, adding depth, warmth, and a sense of wonder. It is particularly effective in spaces where natural light plays an important role, turning everyday architectural elements into sources of colour and atmosphere.

The fast-drying nature of acrylic paints brings an entirely different kind of energy to my practice. They provide immediate results and encourage a spontaneous, expressive approach that keeps the process fresh and dynamic. What I love most about acrylics is their incredible versatility. They can be used on canvas, paper, or wood — opening endless creative possibilities for experimentation. Over the years, I’ve come to appreciate many of their qualities: Versatility – suitable for almost any surface. Quick drying – perfect for working in layers or capturing fast-changing ideas. Water-soluble – easy to clean and manipulate. Layering and texture – ideal for building depth and tactile interest.