
I am delighted to share that my artwork Light Between Us has been selected as a finalist in the North Sydney Winter Art Prize 2026.

This piece continues my exploration of Australia's natural landscape through texture, light, and colour. Created with acrylic and texture paste on a wooden panel, Light Between Us invites viewers to pause and appreciate the quiet beauty found in nature and the subtle connections that exist between trees, light, and the people who experience them.
Light Between Us
2026
Acrylic and texture paste on wood
30 × 30 cm
The Winter Art Prize brings together a diverse collection of works by talented artists from across the region. It is an honour to have my work exhibited alongside so many inspiring artists.
Winter Art Prize Exhibition
Venue: North Sydney Community Centre
220 Miller Street, North Sydney NSW
Exhibition Dates:
Friday 3 July – Saturday 4 July 2026
Award Night:
Friday 3 July 2026
Thank you to the North Sydney Community Centre for organising another wonderful exhibition and for supporting artists through this annual prize. I am grateful to be included and look forward to sharing Light Between Us with visitors to the exhibition.











Before moving to Australia, I spent five formative years working at Edipresse Ukraine, an international publishing house. I began as a designer and illustrator and later took on the role of chief editor, alongside working as a photographer and illustrator. This period played a significant role in shaping my approach to clarity, storytelling, and creating strong, high-quality visual narratives. Between 2004 and 2009, I worked across a wide range of publications and roles: 2006–2009 — Chief Editor, Photographer, Designer & Illustrator, Fun Ideas (children’s craft magazine) 2006 — Designer & Illustrator, English Teen Club (English-learning magazine for teenagers) 2004–2008 — Illustrator, Horoscope (women’s magazine) 2005 — Designer, Marketing Department

During the Rooted in Nature exhibition, I ran two small, intimate workshops focused on observing nature through different lenses. The first workshop explored trees from a distance — their shapes, rhythm, and presence in the landscape. The second shifted to a close-up study of eucalypt blooms, celebrating detail, texture, and colour. Working with texture paste and acrylic, we built layered, expressive surfaces full of energy. I keep my groups small to allow for a more personal approach, and although everyone followed the same process, each artwork turned out completely different. There is something truly magical about creating inside an exhibition space. Being surrounded by artworks and artists in the act of making seems to boost creativity and confidence — the energy is contagious. Both groups did an incredible job, and I’m genuinely proud of the results and the courage they brought to their work.