From time to time, someone commissions a portrait not simply as an artwork, but as a way to preserve a presence — a face, a character, a moment in life meant to last beyond the present. Portraits hold a unique place in art because they are created with the future in mind, becoming part of a family’s visual history.
When I work on a portrait, my focus goes beyond likeness. I look for what makes a person recognisable to those who love them — a certain expression, a posture, a quiet strength or warmth that speaks of who they are. These details are often subtle, but they are what transform a portrait into something deeply personal.
Commissioned portraits are often created to mark important moments: a milestone, a legacy, or a tribute. Over time, they become witnesses to family stories, passed from one generation to the next, carrying memory, identity, and connection.
For me, creating a portrait is a shared process built on trust and attentiveness. It is about honouring the individual and creating a work that will continue to speak long after the sitting has ended — a lasting memory, held in paint.
23 July 2026
I am participating in Nature of Australia, a group exhibition at Palangi Gallery celebrating the beauty and diversity of the Australian landscape through the eyes of women artists from a wide range of cultural backgrounds. Although each artist brings a unique perspective and artistic style, we are united by a shared appreciation for Australia's remarkable natural environment. Through different mediums, the exhibition reflects our personal connections to the land, its native flora, and the places that inspire us. I will contribute with artworks from my bush and ocean series. It is a great pleasure to exhibit alongside such a talented group of artists and to contribute to this celebration of nature. Nature of Australia 23 July – 6 August 2026 Palangi Gallery 59 Flinders Street, Surry Hills, NSW Opening Night Thursday, 23 July 6:00 – 8:00 pm
1 April 2026
My solo exhibition Echoes of the Bush was held at Art Space Gallery, The Concourse in Chatswood. It grew from a deep admiration for Australian nature and a close, ongoing observation of my surroundings. The result was a series of tree portraits and studies of bush textures — works that sit somewhere between painting and sculpture, and are truly meant to be experienced in person. Over 12 days, the exhibition unfolded into something far richer than I could have anticipated. The opening night set the tone — with a thoughtful address by Alan Davies and a moving performance by soprano and bandura player Larissa Kovalchuk. It was a beautiful beginning, and one that stayed with me throughout the exhibition. Across the two weeks, the gallery became a place of connection. We held two fully booked workshops, shared hundreds of conversations, and welcomed a steady flow of visitors — 1,146 people in total. Each interaction, each question, each moment of curiosity added something meaningful to the experience. It was also a great honour to welcome the Mayor of Willoughby, Tanya Taylor, and to feel the genuine support of the Willoughby Council team throughout the entire process. Their encouragement made a real difference. The exhibition has now come to a close — 12 intense and incredibly rewarding days. I’m deeply grateful to everyone who visited, who spent time with the work, and who shared their thoughts and impressions. It truly takes just one kind word to shape someone’s experience, and I felt that kindness every day. A special thank you to those who chose to take a piece of this exhibition home. It means a great deal to know that the works will continue their life in your spaces.
