Sometimes, I run very small, intimate workshops—just three participants—so each person can explore their own individual theme. This particular workshop was organised and sponsored by CMRC and contributed to the exhibition Borders, Bonds, Belonging, held at Ngurra Gunya Exhibition Hall, Parramatta Square. The exhibition, organised by CMRC and ADSi, was part of #RefugeeWeek2025 — a time to reflect, connect, and stand in solidarity amid global displacement and conflict.
Twelve talented Ukrainians shared their culture through paintings, music, and poetry, creating a powerful celebration of identity and resilience.
Our workshop took place in my art studio, which conveniently had all the supplies ready. The theme was open: participants could explore anything that reminded them of Ukraine or anything particular they love about Australia. The results were personal, heartfelt, and inspiring — a true testament to the power of creativity in connecting people and cultures.
Cultural Performance at the Ukrainian Festival, Sydney — 2022. In 2022, I curated and produced a major cultural performance at Tumbalong Park, Darling Harbour as part of the Ukrainian Festival. The show was created primarily using the private collections of Roxolana Mishalow and Tanya Whitbourn, whose garments carried deep regional and historical significance. This performance was unlike any I had worked on before. All of the models were Ukrainian refugees. Each person on stage carried their own story of displacement, resilience, and survival, which gave the presentation an added layer of meaning that could not be staged or rehearsed. The vibrant regional costumes were intentionally contrasted with the visual narrative behind them. I designed a series of projected slides showing Ukrainian towns and cities before and after the war. Together, costume and imagery created a powerful dialogue — beauty and heritage set against destruction and loss. What emerged was more than a performance. It became a moment of collective remembrance and visibility, honouring Ukrainian culture while acknowledging the realities of war. Through this work, tradition was not frozen in the past, but stood firmly in the present — resilient, human, and deeply alive.
During the Rooted in Nature exhibition, I ran two small, intimate workshops focused on observing nature through different lenses. The first workshop explored trees from a distance — their shapes, rhythm, and presence in the landscape. The second shifted to a close-up study of eucalypt blooms, celebrating detail, texture, and colour. Working with texture paste and acrylic, we built layered, expressive surfaces full of energy. I keep my groups small to allow for a more personal approach, and although everyone followed the same process, each artwork turned out completely different. There is something truly magical about creating inside an exhibition space. Being surrounded by artworks and artists in the act of making seems to boost creativity and confidence — the energy is contagious. Both groups did an incredible job, and I’m genuinely proud of the results and the courage they brought to their work.
