Trained in the classical European school of realistic drawing and painting, I’ve worked across many mediums, but today I am best known for textural acrylic and oil works that focus on the individuality of Australian flora.
My process begins with shallow sculptural relief backgrounds that capture the forms and textures of the bush. Onto these surfaces, I layer subtle hues and naturalistic details. From afar, the paintings often read as abstract compositions; up close, they reveal intricate studies of colour and form.
As a newcomer to Australia, painting became my way of connecting with this land — learning its trees, flowers, and light through observation. I believe that when we truly know something, we begin to care for it. My work invites viewers to see the bush not as a uniform green mass, but as a collection of distinct, vibrant individuals.
The fast-drying nature of acrylic paints brings an entirely different kind of energy to my practice. They provide immediate results and encourage a spontaneous, expressive approach that keeps the process fresh and dynamic. What I love most about acrylics is their incredible versatility. They can be used on canvas, paper, or wood — opening endless creative possibilities for experimentation. Over the years, I’ve come to appreciate many of their qualities: Versatility – suitable for almost any surface. Quick drying – perfect for working in layers or capturing fast-changing ideas. Water-soluble – easy to clean and manipulate. Layering and texture – ideal for building depth and tactile interest.
Art & Style magazine has featured a page about my exhibition, Echoes of the Bush. I can’t express how grateful I am to everyone who has supported my journey. Thank you, Wayne. Thank you, Northern Beaches Gallery. Thank you to the Art & Style magazine team. Thank you, Danielle and Doug. The magazine is filled with incredible artists and inspiring stories, so it’s a true honour to be included among them. Thank you all for believing in my art.
