
Trained in the classical European school of realistic drawing and painting, I’ve worked across many mediums, but today I am best known for textural acrylic and oil works that focus on the individuality of Australian flora.


My process begins with shallow sculptural relief backgrounds that capture the forms and textures of the bush. Onto these surfaces, I layer subtle hues and naturalistic details. From afar, the paintings often read as abstract compositions; up close, they reveal intricate studies of colour and form.
As a newcomer to Australia, painting became my way of connecting with this land — learning its trees, flowers, and light through observation. I believe that when we truly know something, we begin to care for it. My work invites viewers to see the bush not as a uniform green mass, but as a collection of distinct, vibrant individuals.











My newest artwork, What the Red Caps Hide: Lime Bloom, was SOLD at the 50x50 Exhibition at Brunswick Street Gallery, Melbourne. This tree portrait is inspired by the extraordinary flowers and seed capsules of Eucalyptus macrandra. The vivid red nut caps seem to guard a surprise beneath them: luminous lime-green blossoms that transform the tree into an explosion of colour. What the Red Caps Hide: Lime Bloom 2026 Acrylic and texture paste on wood 50 × 50 cm 📍 Brunswick Street Gallery Level 1 & 2, 322 Brunswick Street, Fitzroy VIC 3065 🗓 Exhibition: 20 June – 3 July 🥂 Opening Night: Friday 26 June, 6–9 pm 🕙 Open Tue–Sat 10am–5pm | Sun 11am–4pm | Closed Mondays Still time to see the 2026 Fifty Squared Art Prize — Australia’s largest open-call exhibition for wall-based works (50×50cm and under), featuring over 900 artworks. So much incredible work in one space — a true snapshot of contemporary practice.

In March 2025, True Blue & a Little Bit of Yellow presented a fundraising exhibition titled The Spirit of the Peninsula at Northern Beaches Gallery, Cromer. Running from 8–22 March, the exhibition invited visitors to walk through the familiar rhythms of the peninsula — its streets, bushland, and the light-filled beaches of North Sydney. The works reflected a strong sense of place while remaining deeply connected to broader stories of belonging and care. At its heart, The Spirit of the Peninsula was about building a bridge between Australia and Ukraine. Through art, the exhibition created a space for connection, support, and generosity during challenging times, reminding us that local landscapes can carry global meaning.