
Trained in the classical European school of realistic drawing and painting, I’ve worked across many mediums, but today I am best known for textural acrylic and oil works that focus on the individuality of Australian flora.


My process begins with shallow sculptural relief backgrounds that capture the forms and textures of the bush. Onto these surfaces, I layer subtle hues and naturalistic details. From afar, the paintings often read as abstract compositions; up close, they reveal intricate studies of colour and form.
As a newcomer to Australia, painting became my way of connecting with this land — learning its trees, flowers, and light through observation. I believe that when we truly know something, we begin to care for it. My work invites viewers to see the bush not as a uniform green mass, but as a collection of distinct, vibrant individuals.











The exhibition True Blue & a Little Bit of Yellow at Gosford Community Gallery was the first of many we held during the first three years of Russia’s full-scale invasion of Ukraine. It marked a moment when art became a way to stand together, to act, and to help. Seven Australian artists of Ukrainian descent, all living and working in Australia, came together to sell artworks and raise funds for Ukrainians in need. The theme — blue and yellow — was both simple and deeply felt: a tribute to the ocean, to emotion, and to shared experience. We are endlessly grateful to everyone who visited, supported the exhibition, purchased artworks, or made a donation. This exhibition ran from 27 June to 1 July 2022, and it set the tone for everything that followed.

I’m honoured to be featured in the Ukrainian magazine The Woman, where I share my journey as an artist and as a Ukrainian woman living and creating in Australia. The article reflects on my creative path, the experiences that shaped my practice, and the way art has helped me stay connected to both place and identity while building a life on the other side of the world. Living between two countries has taught me that connection to homeland doesn’t disappear with distance — it transforms. Through my work, I carry memories, values, and cultural references from Ukraine into my life in Australia, creating a quiet dialogue between the two. Art becomes a bridge, linking landscapes, histories, and emotional ties across continents, and allowing me to feel grounded in both places at once. It is always meaningful to see this story resonate beyond my immediate community, especially when it reaches readers who may recognise their own experiences of migration, belonging, and cultural memory. I’m grateful to the editorial team for their interest and thoughtful approach to telling my story.