I’m deeply honoured that my painting, St. Andrew’s Church in Kyiv, Ukraine is now part of the City of Sydney Civic Collection.
This artwork was officially presented in May 2025 by Andrew Mencinsky, President of the Ukrainian Council of NSW, to Lord Mayor Clover Moore and the City of Sydney—a gesture of gratitude for their ongoing support of displaced Ukrainians and our community since the beginning of Russia’s full-scale invasion in 2022.
St. Andrew’s Church is a treasured Baroque gem of Kyiv, perched above the historic Podil district. Designed by Italian architect Francesco Bartolomeo Rastrelli in the 18th century, it stands as both a cultural icon and a spiritual beacon.
This church holds a special place in my heart — my mum and grandfather were born not far from it, and during my art school years we spent many plein air sessions painting around its beautiful grounds.
The presentation took place a month ago, but I was waiting for the official photos before sharing this moment with you.
Australia’s support of Ukraine and part of my home city Kyiv, now represented in Sydney’s civic collection means more than words can express.
Ukraine: Secrets of Resilience was an exhibition by True Blue & a Little Bit of Yellow, presented at Sydney Town Hall to mark one year since the start of the full-scale Russian invasion of Ukraine. I wanted to find a way to help people in Australia understand what war is — not in abstract terms, but through human experience. That idea became Secrets of Resilience. I went through a year of devastating news and personal testimonies, selecting stories that resonated most deeply and spoke about survival, loss, strength, and endurance. From these stories, I created a series of posters combining documentary photographs, written accounts, and artworks — my own and those of fellow artists — alongside real objects carrying personal and symbolic meaning. Each element was chosen carefully, so the exhibition could be read, felt, and experienced rather than simply viewed. Working through so much human pain was emotionally demanding. Revisiting these stories left a lasting mark, but I believe the process was necessary. The exhibition allowed many visitors to imagine themselves in a place of conflict and offered a glimpse into how people continue to live, endure, and remain human under unimaginable circumstances. It was not an easy exhibition — but it was an important one.
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.
