
I’m delighted to share that my artwork “Bottlebrush Symphony” received the Gallery 11:11 Art Prize / People’s Choice Award!


A heartfelt thank you to everyone who visited the exhibition, voted, and shared in this wonderful experience. Your support, encouragement, and kind words mean so much to me.
The winning piece, “Bottlebrush Symphony,” will be available for purchase through the Gallery 11:11 website for the next eight weeks: www.gallery1111.net
It was such a joy to celebrate this moment surrounded by art lovers,
friends, and the creative community.











I’m back in the studio, back to normality, and ready to continue sharing what I love most — my knowledge of art, different techniques and practical skills that can open up new possibilities for your own creativity. This October, I’m offering two very different workshops, both suitable for all levels and for adults and young people aged 12+. Come and spend a few hours making art, learning a new technique and getting your hands back to the brush. I look forward to seeing you in the studio! 🇺🇦 Petrykivka: Mastering the One-Stroke Technique Discover the beautiful Ukrainian folk painting style of Petrykivka. In this workshop, you’ll learn about the history of Petrykivka and how flowers, leaves and berries are built through different brushstrokes. You’ll also learn how to load two colours onto one brush and control its movement to create variations of colour, shape and tone. This is particularly valuable for artists and beginners because it gives you a chance to really understand your brush as a tool — how its shape and size affect the mark, how to control pressure and movement, and how to master the stroke of your brush. Illusion of Distance: The Tricks of Perspective

Every so often, a commission opens the door to an entirely new way of thinking. One such moment came when a client asked for something unexpected — a lightweight, sculptural object in the form of puppets. Creating puppets became an unusual and exciting way for me to explore my creativity. They sit somewhere between sculpture, design, and storytelling. Unlike painting, where the surface holds the narrative, puppets demand attention to volume, balance, texture, and movement. Even at rest, they suggest gesture, character, and presence. Working on these pieces allowed me to think beyond the wall and the frame, translating artistic ideas into tactile, three-dimensional forms. Each puppet became a small character — playful, expressive, and full of personality. This unexpected direction reminded me how important it is to stay open as an artist. New materials, new formats, and new requests can lead to discoveries that expand both practice and imagination — sometimes in the most surprising ways.