
In August I am exhibiting my work in four group exhibitions across Sydney and one in Brisbane! If you're need to recharge your creative batteries this month, I'd love for you to visit one (or more!) of these exhibitions. Admissions are free. Throughout the month, you’ll be able to see my paintings in:


Freedom and Sustainability
3–20 August 2026
The Gallery Ramp Space
St Ives Village
166 Mona Vale Road, St Ives NSW 2075
The Winter Edit
7–30 August 2026
Something Else Gallery
1/8 Belgrave Street, Manly
Opening Night: Friday 7 August, 6:00 pm
Gallery Hours: Tuesday–Sunday, 10:00 am – 5:00 pm
Designed by Nature
8–30 August 2026
Royal Art Society
25–27 Walker Street, North Sydney
Opening: Friday 8 August, 1:00–3:00 pm
Gallery Hours: Monday–Friday: 10:00 am – 4:00 pm
Saturday & Sunday: 11:00 am – 4:00 pm
Closed on Public Holidays
The Other Environmental
14–23 August 2026
Art Bau Gallery
1/1 Mitchell Road, Brookvale
Opening Night: Friday 14 August, 6:00–8:00 pm
Gallery Hours: Wednesday–Saturday, 10:00 am – 4:00 pm
I’m also very happy to share some exciting finalist news. My artwork has been selected as a finalist in the Lethbridge Gallery Small Scale Art Award 2026 in Brisbane, with the exhibition taking place during August 2026. In addition, I have been selected as a finalist in the 9×5 Landscape Art Prize 2026 at Waverley Woollahra Art School, with the finalist exhibition opening in September 2026.
And there is even more to look forward to — my next solo exhibition is coming in September. I’ll be sharing details of this new body of work very soon, so stay tuned for the official announcement.
Thank you, as always, for following my artistic journey and supporting my work. I hope to see some of you at one of the exhibitions this month.











In 2018, I was invited to curate and coordinate a cultural performance for a diplomatic function at the National Gallery of Australia, at the request of the Embassy of Ukraine and on the initiative of Christine Syvenkyj-Bailey. The performance was created primarily from Christine Syvenkyj-Bailey’s private collection, with additional contributions from the collections of Sonia Mycak and Roxolana Mishalow. I am deeply grateful to them for their generosity and trust. This project was far more than event coordination — it was about giving history a voice. Every costume, ornament, and movement carried memory, identity, and meaning. My role was to carefully weave these elements into a coherent narrative that honoured tradition while allowing it to live and breathe in the present moment. I oversaw the entire creative and organisational process: selecting traditional Ukrainian costume elements, sourcing authentic garments and objects from private collectors, and recreating historical headpieces and jewellery where originals could not be used. I wrote the presentation script to guide the audience through the story, and designed all visual and printed materials — from slides and banners to invitations, gifts, and calendars — ensuring a unified visual language throughout the event. Behind the scenes, the work was equally intricate. I coordinated models and assistants, managed the careful transport of costumes and artefacts from Sydney to Canberra and back, and balanced countless logistical details so that, on the day, everything felt effortless and dignified. What emerged was not simply a performance, but a living expression of cultural memory.

Furniture Decoration — Art You Can Live With. Working with furniture brings me a particular kind of joy. Three-dimensional objects are experienced from all sides, revealing a different picture as you move around them. There is something deeply satisfying about applying art to forms that are not only observed, but used and lived with every day. Chairs, tables, cabinets, and screens become surfaces where colour, texture, and form extend beyond the wall. Decorated furniture has the power to anchor a room. It can become a focal point, decisively unify a colour palette, or bring cohesion to an interior style. When art moves into functional objects, it becomes part of daily rituals, adding character and warmth to everyday moments. The process becomes even more meaningful when an old piece is given a second life. Repairing, recolouring, redesigning, reimagining, and reusing transforms something forgotten into something personal and renewed. Furniture decoration is, for me, a way of combining creativity with care — honouring what already exists while shaping it into something fresh, purposeful, and full of story.