Our double solo exhibition at Chatswood Art Space on The Concourse was an experience we will long remember. A heartfelt thank you to everyone who visited, supported the exhibition, and purchased artworks — your engagement made this show truly meaningful.
Out of my 28 artworks presented (18 on the walls and 10 in storage), 19 have found new homes. Over the ten days of the exhibition, we had the privilege of speaking with around 600 visitors, and we are deeply grateful for the thoughtful feedback and personal stories shared along the way.
Special thanks go to the Willoughby Council staff and Mayor Tanya Taylor for their support and smooth organisation. We are also thankful to our guest speaker Alan Davies and musician Viktoria Stepanenko, whose contributions added depth and warmth to the opening evening.
The atmosphere throughout the exhibition was generous and engaging. We hope visitors carried a sense of positivity with them, and perhaps a renewed desire to connect with nature — something art does best when it is shared.
The exhibition True Blue & a Little Bit of Yellow at Gosford Community Gallery was the first of many we held during the first three years of Russia’s full-scale invasion of Ukraine. It marked a moment when art became a way to stand together, to act, and to help. Seven Australian artists of Ukrainian descent, all living and working in Australia, came together to sell artworks and raise funds for Ukrainians in need. The theme — blue and yellow — was both simple and deeply felt: a tribute to the ocean, to emotion, and to shared experience. We are endlessly grateful to everyone who visited, supported the exhibition, purchased artworks, or made a donation. This exhibition ran from 27 June to 1 July 2022, and it set the tone for everything that followed.
Cultural Performance at the Ukrainian Festival, Sydney — 2022. In 2022, I curated and produced a major cultural performance at Tumbalong Park, Darling Harbour as part of the Ukrainian Festival. The show was created primarily using the private collections of Roxolana Mishalow and Tanya Whitbourn, whose garments carried deep regional and historical significance. This performance was unlike any I had worked on before. All of the models were Ukrainian refugees. Each person on stage carried their own story of displacement, resilience, and survival, which gave the presentation an added layer of meaning that could not be staged or rehearsed. The vibrant regional costumes were intentionally contrasted with the visual narrative behind them. I designed a series of projected slides showing Ukrainian towns and cities before and after the war. Together, costume and imagery created a powerful dialogue — beauty and heritage set against destruction and loss. What emerged was more than a performance. It became a moment of collective remembrance and visibility, honouring Ukrainian culture while acknowledging the realities of war. Through this work, tradition was not frozen in the past, but stood firmly in the present — resilient, human, and deeply alive.
