Photography is another way I tell stories. Through the lens, I focus on capturing the essence of a moment — and quite often, that essence is found in something simple and authentic, like a genuine smile. For me, photography is not about staging perfection, but about conveying mood, feeling, and the small details that make each moment distinct.
My approach is grounded in clarity and intention:
I enjoy creating portraits that feel natural, balanced, and well composed, as well as documenting events in a way that is honest, engaging, and true to the atmosphere of the moment. Whether photographing a performance, an event, or an individual, my focus remains consistent — imagery that communicates clearly and carries emotional weight.
Photography sits naturally alongside my work as an artist and designer, sharing the same principles of observation, composition, and storytelling.
April 2026 I hosted two intimate painting workshops, each with its own seasonal story. The second one was inspired by European Easter traditions, light-filled spring mornings, and daffodils as their purest embodiment of renewal. ✨ Easter Light & Daffodils Workshop ✨ A hands-on painting workshop held alongside my solo exhibition at Art Space Gallery. We’ll work with simple sculptural techniques using impasto medium and acrylic paint, exploring how light gently settles on form — creating luminous highlights, soft shadows, and a subtle relief surface. This workshop is about slowing down, creating with intention, and building an Easter mood with your own hands. Calm, welcoming, and designed for all skill levels. Art Space Gallery – The Concourse Impasto medium & acrylic on board All materials supplied Suitable for adults — no prior experience needed Suitable for children 12+ Limited to just 10 participants — bookings essential
Cultural Performance at the Ukrainian Festival, Sydney — 2022. In 2022, I curated and produced a major cultural performance at Tumbalong Park, Darling Harbour as part of the Ukrainian Festival. The show was created primarily using the private collections of Roxolana Mishalow and Tanya Whitbourn, whose garments carried deep regional and historical significance. This performance was unlike any I had worked on before. All of the models were Ukrainian refugees. Each person on stage carried their own story of displacement, resilience, and survival, which gave the presentation an added layer of meaning that could not be staged or rehearsed. The vibrant regional costumes were intentionally contrasted with the visual narrative behind them. I designed a series of projected slides showing Ukrainian towns and cities before and after the war. Together, costume and imagery created a powerful dialogue — beauty and heritage set against destruction and loss. What emerged was more than a performance. It became a moment of collective remembrance and visibility, honouring Ukrainian culture while acknowledging the realities of war. Through this work, tradition was not frozen in the past, but stood firmly in the present — resilient, human, and deeply alive.
